1 00:00:03,000 --> 00:00:05,500 Doug Drexler, Computer Animator September, 2006 2 00:00:06,000 --> 00:00:11,800 As a kid, I was smitten by Star Trek and Gene Roddenberrys' vision of the world. 3 00:00:12,000 --> 00:00:15,600 It's more an optimistic future where people got it together. 4 00:00:16,000 --> 00:00:19,300 And one night I was sitting on the couch, watching Discovery Channel, 5 00:00:19,300 --> 00:00:23,500 and there was a, I guess it was Extreme Machines or engineering, 6 00:00:23,500 --> 00:00:24,800 or something like that. 7 00:00:25,000 --> 00:00:30,000 And here was this guy, this Jacque Fresco guy [laughs], 8 00:00:30,000 --> 00:00:33,000 and, here he was talking about the world of tomorrow 9 00:00:33,000 --> 00:00:35,800 like I hadn't heard anyone talk about since I was a kid. 10 00:00:36,000 --> 00:00:38,000 And it just blew me away. 11 00:00:38,500 --> 00:00:41,800 What Jacque was doing, is basically what interested me all along, 12 00:00:41,800 --> 00:00:47,200 that I liked about, the optimistic, you know, future. 13 00:00:48,000 --> 00:00:52,200 I called him on the phone, and I mean, to know Jacque is to love him. 14 00:00:52,400 --> 00:00:56,300 And Roxanne, Roxanne Meadows, they're family to me. 15 00:00:56,500 --> 00:00:58,000 We hit it off instantly. 16 00:00:58,200 --> 00:01:04,000 I think I flew down to Venus, to see Jacque and Roxanne, within a month. 17 00:01:04,200 --> 00:01:05,500 I went down there and it, 18 00:01:05,500 --> 00:01:10,300 for anyone who's interested in an optimistic future, it's like Disneyland. 19 00:01:10,500 --> 00:01:16,500 You can often meet people and they don't turn out to be everything they're cracked up to be. 20 00:01:16,700 --> 00:01:22,300 Or, the passion really isn't there, you've kind of embossed it from a distance, you know. 21 00:01:22,500 --> 00:01:27,800 I mean, watching Jacque on television, you could get a larger than life idea of... 22 00:01:28,000 --> 00:01:31,000 We all know how you can get a larger than life idea of somebody. 23 00:01:31,300 --> 00:01:35,300 And then you meet them and, you know, they're not really everything you hoped. 24 00:01:35,500 --> 00:01:40,000 Well, they're the real McCoy, let me tell you. l mean they are the real thing. 25 00:01:41,000 --> 00:01:46,000 For me to have gotten involved with Jacque was to have a chance 26 00:01:46,000 --> 00:01:50,700 to make a contribution to the world of tomorrow. 27 00:01:51,000 --> 00:01:56,300 For a good number of my years on Star Trek I worked in the visual effects department. 28 00:01:56,500 --> 00:02:03,000 So, basically, I had this knowhow on computer animation, 29 00:02:03,000 --> 00:02:08,000 and I love the models that they make, they're really fantastic, architectural models, 30 00:02:08,000 --> 00:02:12,500 but I said, "Hey Jacque and Roxanne, I would love, and I mean I'm not kidding, 31 00:02:12,500 --> 00:02:16,500 I would love to take some of these things and turn them into three-dimensional images." 32 00:02:16,700 --> 00:02:23,000 The native visual effects program that we used on Star Trek and on Galactica was LightWave 3D. 33 00:02:23,200 --> 00:02:29,000 You have a movie studio in a box, and you can create anything, anything you can imagine. 34 00:02:29,200 --> 00:02:33,000 And you can make as real as you want, depending on how much time you have. 35 00:02:33,200 --> 00:02:37,000 As much as I love working on the science fiction shows, and I said it to Jacque and Roxanne, 36 00:02:37,000 --> 00:02:40,000 If I had an oportunity to work with them, 37 00:02:40,000 --> 00:02:44,000 on whether it be a real life project or TV show, 38 00:02:44,000 --> 00:02:49,000 or something about what it is they're dreaming, 39 00:02:49,000 --> 00:02:57,000 I would, I think I would go there, I'd run there to help them, and to be a part of it. 40 00:02:57,300 --> 00:03:02,000 To help iluminate the world of tomorrow is for me, 41 00:03:02,000 --> 00:03:04,000 and I don't know why, 42 00:03:04,000 --> 00:03:06,000 it's the biggest role there is. 43 00:03:06,200 --> 00:03:09,000 And when you're doing it for something that you believe in, 44 00:03:09,000 --> 00:03:13,000 like Jacque and Roxanne's ideas, 45 00:03:13,000 --> 00:03:17,000 it's just kick ass, you know, there's nothing like it. 46 00:03:17,200 --> 00:03:21,000 And it's also because I know the effect that it has on people, 47 00:03:21,000 --> 00:03:24,500 from my years and years working on Star Trek, 48 00:03:24,500 --> 00:03:28,500 that you can change people's lives. I know it sounds silly but it's really true. 49 00:03:28,700 --> 00:03:35,000 They could see something, like Jacque and his cities, his self-erecting buildings and stuff, 50 00:03:35,000 --> 00:03:39,000 and say, "I want to be an engineer. I want to be a scientist," 51 00:03:39,000 --> 00:03:42,600 or "It's cool to be smart," you know. 52 00:03:43,000 --> 00:03:49,000 To be a part of that, I know that that is what is going to make or break tomorrow, 53 00:03:49,000 --> 00:03:51,500 how kids feel about that. 54 00:03:52,000 --> 00:03:57,000 When I worked on Star Trek, over 18 years, 55 00:03:57,000 --> 00:04:02,500 I met astronauts and scientists and Stephen Hawking [laughs], 56 00:04:02,500 --> 00:04:08,000 the guys who drove the rovers around mars, 57 00:04:08,000 --> 00:04:12,500 all came to visit Star Trek and said in no uncertain terms 58 00:04:12,500 --> 00:04:17,500 that was Star Trek that made them want to be a scientist, 59 00:04:17,500 --> 00:04:22,000 or an explorer, or an astronaut, 60 00:04:22,000 --> 00:04:26,000 or even Stephen Hawking wanted to sit in the captain's chair. 61 00:04:28,000 --> 00:04:35,500 For me I realize that at times I felt like we were doing something frivolous doing science fiction, 62 00:04:35,500 --> 00:04:38,500 but I saw that it had a profound impact on people. 63 00:04:38,700 --> 00:04:42,500 It's kind of an epiphany really, to realize that you can have a profound impact, 64 00:04:42,500 --> 00:04:45,800 even though you're working on something that some people think is kid stuff. 65 00:04:46,000 --> 00:04:53,600 Jacque has ideas and plans of a different way that the world would work. 66 00:04:53,800 --> 00:04:56,000 And sometimes when people see that, 67 00:04:56,000 --> 00:05:00,500 they're a little taken back because it seems too fanciful. 68 00:05:01,500 --> 00:05:06,200 But, maybe it isn't. The thing is if you don't dream about it, you're not going to do it. 69 00:05:06,500 --> 00:05:17,500 Jacque provides the dream and to meet him is to, it really gives you a lot of faith. 70 00:05:18,000 --> 00:05:23,000 He's kind of a twenty first century Moses, you know, lead his people well. 71 00:05:23,300 --> 00:05:25,800 He's a citizen of the human race. 72 00:05:26,000 --> 00:05:31,000 You know, he's not american, and he's not an english man, he's not a french man, 73 00:05:31,000 --> 00:05:32,500 he's a human being. 74 00:05:32,800 --> 00:05:35,500 We'd go for walks out on their reclaimed area, 75 00:05:35,500 --> 00:05:39,500 that they turned back into, basically it's almost like primal forest. 76 00:05:39,900 --> 00:05:42,300 I can barely keep up with this guy! 77 00:05:42,500 --> 00:05:44,500 You know I'm like "Jacque, slow down!" 78 00:05:44,700 --> 00:05:46,500 We'd go back to his house 79 00:05:46,500 --> 00:05:50,000 and we'd go through sketches and drawings and he'd talk about his ideas. 80 00:05:50,200 --> 00:05:53,400 You know, nothing he does, no matter how fanciful it looks, it's not frivolous. 81 00:05:53,600 --> 00:05:56,000 He has a plan for everything, there's a reason for everything. 82 00:05:56,200 --> 00:05:58,500 All you've got to do is, you know, wind him up and let him go, 83 00:05:58,500 --> 00:06:05,200 he will just pour ideas out at a rate that is unbelievable. 84 00:06:05,500 --> 00:06:08,500 He knows how everything works, he will draw you sketches, 85 00:06:08,500 --> 00:06:10,000 he will make you models. 86 00:06:10,200 --> 00:06:14,200 Everytime I did an animation, he sent me reams of sketches. 87 00:06:14,400 --> 00:06:18,000 Think about it, a ninety year old man, 88 00:06:18,000 --> 00:06:21,000 and he can't stop thinking about the world of tomorrow. 89 00:06:21,200 --> 00:06:23,500 It's all about the world of tomorrow, 90 00:06:23,500 --> 00:06:26,500 and it wouldn't matter whether he had one minute more to live, 91 00:06:26,500 --> 00:06:30,500 or he had another, he had 300 years more to live, 92 00:06:30,500 --> 00:06:36,500 the fire for that is just as bright as can possibly be, 93 00:06:36,500 --> 00:06:39,000 and that is what's so inspiring. 94 00:06:39,200 --> 00:06:40,000 Jeez, I love going down there, 95 00:06:40,000 --> 00:06:42,800 they've got their model shops and their video dome and everything, 96 00:06:42,800 --> 00:06:47,500 and you go in there and all those, you know, futuristic ideas and... 97 00:06:47,700 --> 00:06:50,500 That is the energy that comes off of those things 98 00:06:50,500 --> 00:06:53,000 that will propel us into tomorrow. 99 00:06:53,200 --> 00:06:57,000 We all can help make the future a great place, 100 00:06:57,000 --> 00:07:03,100 and the idea of a wonderful tomorrow is not naive. 101 00:07:03,700 --> 00:07:05,000 When you talk about faith, 102 00:07:05,000 --> 00:07:07,500 if you want to have faith, have faith in yourselves, 103 00:07:07,500 --> 00:07:12,200 and have faith that we can create a more optimistic tomorrow.